Remembered as one of the opening shots of what U. Utah Phillips called the “Great Folk Scare” of the 60s.
When Jacqueline Steiner wrote most of the lyrics in 1949 for what is popularly known as “Charlie on the MTA,” she considered it a “toss-off, an occasional song that would soon be forgotten” — a fate much like what befell poor Charlie, who was trapped forever on the subway.
Instead, it became one of the best-known Boston songs — rivaled only by such anthems as “Dirty Water” — and the namesake of the modern-day MBTA’s CharlieCard. After the Kingston Trio recorded a hit version in 1959, fans across the country sent the Metropolitan Transportation Authority envelopes stuffed with nickels to help Charlie pay the 5-cent increase in an exit fare and end his eternal ride.
Listeners needed only to hear the song once to clap and sing along with the unforgettable refrain:
But did he ever return,
No, he never returned
And his fate is still unlearned
He may ride forever, ’neath the streets of Boston
He’s the man who never returned
“I am continually amazed that people — it doesn’t matter where they’re from — still know the song, which we wrote all those long years ago,” she told the Globe in 1998.
That was the year Walter A. O’Brien Jr. died. It was on his behalf that Ms. Steiner and Bess Lomax Hawes penned what is officially titled “MTA” — a campaign song for O’Brien, a Progressive Party candidate who finished last in the Boston’s 1949 mayoral race.
O’Brien opposed the MTA’s 5-cent fare increase, but that resonated too little in an election most remembered as the first time John B. Hynes defeated James Michael Curley.
The song’s original last verse, which Ms. Steiner recorded in 1949 with others in the group Boston People’s Artists, included a plug for Walter O’Brien’s campaign. In the Kingston Trio’s somewhat reworked version, the first name “George” was substituted — probably as a hedge in the red-baiting McCarthy era, when name-checking a progressive like O’Brien could prompt radio stations to avoid playing a song.
Hawes, whose father and brother — John and Alan — were famed folk musicologists, wrote the verse that makes listeners chuckle and think:
Charlie’s wife goes down to the Scollay Square Station
Every day at quarter past two
And through the open window
She hands Charlie a sandwich
As the train comes rumbling through. Continue reading “Music Break: Kingston Trio – Charlie and the MTA”