Climate is a theme among many, although they don’t bash you over the head with it.
It is in any case, absolutely brilliant, riveting, and cathartic.
Bring tissue.
Review here from 2019, “Living on Earth”:
BASCOMB: It’s Living on Earth, I’m Bobby Bascomb.
According to ancient Greek myth, Hades, ruler of the underworld, kidnaps the Goddess Persephone and brings about the first winter on earth. For writer Anaïs Mitchell, that sudden change in the climate is the perfect backdrop for the story of her Tony Award-winning Broadway musical “Hadestown”. The show infuses the theme of climate change with New Orleans jazz, folk, and pop music. Here to tell us more is the director of “Hadestown”, Rachel Chavkin. Rachel, welcome to Living on Earth.
CHAVKIN: Thanks very much.
BASCOMB: So for someone that hasn’t seen the show or listened to the music yet, can you give me a quick summary of what it’s about?
CHAVKIN: Yeah. So “Hadestown” is a retelling of an ancient story, for those who know their Greek mythology, which is the Orpheus and Eurydice story, as it intersects with the myth of Hades and Persephone. Eurydice says — I think these lyrics are no longer exactly in it, but — “flood will get you if the fire don’t”. So there’s a sense that the above world is a dangerous place. But you hear about this mythic place, which is Hadestown, and Hadestown is a land of plenty and a land where you sort of aren’t ever worried about where your next meal is going to come from. And so during Act One Eurydice chooses to go down to Hadestown, and the audience along with Eurydice discover that Hadestown is actually basically this proto-fascist state. And you hear about a wall that is getting built, and the wall will never be done. And Orpheus comes down to Hadestown to try to get the love of his life back.
BASCOMB: So here at Living on Earth, we tend to look at everything through the lens of the environment. But it seems pretty clear to me that there’s some clear allusions to climate change. Can you tell me about that?
CHAVKIN: Yeah. So the image of the climate being out of whack has been a core one for Anaïs since she started writing the show. And so as we thought more and more about shaping the world that Eurydice and Orpheus are living in, a world caused by, in Greek mythological terms, the decay of this ancient marriage between Hades and Persephone, a world that is out of balance, where it is either freezing or it’s blazing hot, and that food becomes a really, you know, a scarcer substance and the idea of stability becomes harder to imagine, and that Eurydice is, is a character who has spent her life running. All of those are things that kind of crystallized while we were making the show.
BASCOMB: Well, let’s play a song from the show. I want to play a clip of “Any Way the Wind Blows”. But before we do, can you set it up for me? What’s happening at this point in the storyline?
CHAVKIN: Yeah, so “Any Way the Wind Blows” is really right at the top of the story. It’s really where you hear her, this kind of tough chick who is this survivor, walk into this bar, that is Hermes’ bar where she will eventually, right after this song, meet Orpheus, the love of her life. And she talks about how screwed up the weather is.
Continue reading “If You Have Not Seen Hadestown, Get the Hell out to This Film Version”



